In some chronological order here are experiments, finished pieces and interesting finds from my recent years studying Fine Art.
My practice is concerned with form and movement. Phantasmogoric transformations and organic prosthesis.
Of confabulations you hold dear from childhood and pseudo occult imaginings.
Its what you thought you saw in the forest that day but didnt want to bother your friends.
I use natural yoghurt, hessian, hair, oats, moss, bones, found flora and flour mostly so as to leave no trace of the performances I photograph and video.
The photos and video become through default the art itself as its only surviving documentation.
My practice is concerned with form and movement. Phantasmogoric transformations and organic prosthesis.
Of confabulations you hold dear from childhood and pseudo occult imaginings.
Its what you thought you saw in the forest that day but didnt want to bother your friends.
I use natural yoghurt, hessian, hair, oats, moss, bones, found flora and flour mostly so as to leave no trace of the performances I photograph and video.
The photos and video become through default the art itself as its only surviving documentation.
Friday, 22 October 2010
Mandrake Growth Experment 1
Experiments to find out what would happen to
oat sculpture over time.
Cracks widened around 'mouth' area over a week.
Cracks widened around 'mouth' area over a week.
City Project- Time Steps
Time Steps
Lewes Cooper
When walking I mostly look down
so it’s no surprise I decided to choose
something under our feet to explore.
I noticed that lots of the old paving slabs
around Bath have a very distinct
style of weathering that reminds me
of topographic maps or maps with
contour lines.
I imagined that every new vistor to Bath
left a little piece fo their home cartography
on these stones as they stepped on them.
If people did this over centuries what
would the strange continents formed look like?
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